The Friday Noon Concert Series
Salon Trio
Robert DiLutis, clarinet
Noah Getz, saxophone
Mary-Victoria Voutsas, piano
Friday, October 16, 2026
12:00 pm - 12:30 pm
FREE & OPEN TO THE PUBLIC - RSVP required
(limited seating available)
Program
Eight Pieces for Clarinet, Viola, and Piano, Op. 83 Max Bruch
(1838–1920) Arr. Mary-Victoria Voutsas
Trio Pathétique in D minor Mikhail Glinka
(1804–1857)
Arr. Voutsas
Concert Piece No. 2 in D minor, Op. 114 Felix Mendelssohn
(1809–1847)
Arr. Voutsas
About the Artists:
Over the past five years, the Salon Trio has performed throughout the Washington metro area in a program called Salon Concerts. These concerts are presented in the homes of patrons of the arts willing to host and fund a chamber music recital. As part of these concerts, patrons and their invited guests share an up-close and personal encounter. This musical experience not only stimulates the audience’s love of music but also develops a relationship between the trio and their audience. During each concert, they share personal stories and anecdotes about the composers as well as their knowledge of the music. Following each performance is a reception hosted by the homeowner, providing an opportunity for one-on-one feedback and an informal and relaxing interaction with guests.
Robert DiLutis is professor of clarinet at the University of Maryland and in his sixth season as principal clarinetist of the Annapolis Symphony Orchestra. His work can be heard on the Delos, RM Records and Tonsehen labels.
Hailed as a “highly skillful and an even more highly adventurous player” (Washington City Paper) with “virtuosity, sensitivity, and beauty of tone” (Fanfare), Noah Getz has performed and lectured worldwide. He is a Musician-In-Residence at American University.
The visiting Artist in Residency for Wolf Trap Center for the Performing Arts, Mary-Victoria Voutsas is a “powerful” and “enthralling pianist” (Washington City Paper). She has toured extensively as a pianist and has performed at many notable venues, including the Kennedy Center.
This project is supported in part by the DC Commission on the Arts and Humanities, which receives support from the National Endowment for the Arts.
